“The Christian ideal has not been tried and left wanting; it has been found difficult and left untried.”
— G.K. Chesterton, What’s Wrong with the World
ECCLESIASTES 5:8-20
8 If you see in a province the oppression of the poor and the violation of justice and righteousness, do not be amazed at the matter, for the high official is watched by a higher, and there are yet higher ones over them. 9 But this is gain for a land in every way: a king committed to cultivated fields. 10 He who loves money will not be satisfied with money, nor he who loves wealth with his income; this also is vanity. 11 When goods increase, they increase who eat them, and what advantage has their owner but to see them with his eyes? 12 Sweet is the sleep of a laborer, whether he eats little or much, but the full stomach of the rich will not let him sleep. 13 There is a grievous evil that I have seen under the sun: riches were kept by their owner to his hurt, 14 and those riches were lost in a bad venture. And he is father of a son, but he has nothing in his hand. 15 As he came from his mother’s womb he shall go again, naked as he came, and shall take nothing for his toil that he may carry away in his hand. 16 This also is a grievous evil: just as he came, so shall he go, and what gain is there to him who toils for the wind? 17 Moreover, all his days he eats in darkness in much vexation and sickness and anger. 18 Behold, what I have seen to be good and fitting is to eat and drink and find enjoyment in all the toil with which one toils under the sun the few days of his life that God has given him, for this is his lot. 19 Everyone also to whom God has given wealth and possessions and power to enjoy them, and to accept his lot and rejoice in his toil—this is the gift of God. 20 For he will not much remember the days of his life because God keeps him occupied with joy in his heart.
ST. FRANCIS’S PRAYER OF DESIRE
Therefore, let us desire nothing else, let us want nothing else, let nothing else please us and cause us delight except you our Creator, Redeemer and Savior, the only true God, Who is the fullness of good, all good, every good, the true and supreme good, Who alone is good, merciful, gentle, delightful, and sweet, Who alone is holy, just, true, holy, and upright, Who alone is kind, innocent, clean, from Whom, through Whom and in Whom is all pardon, all grace, all glory of all penitents and just ones, of all the blessed rejoicing together in heaven. Amen.
ART APPRECIATION
The Three Musicians is a famous example of Picasso’s style of Cubism. The three musicians are transformed into a sequence of two-dimensional planes, lines, and arcs.
1
Pablo Picasso (1811-1973) was born in Malaga, Spain. His name at birth was Pablo Diego Jose Franciso de Paula Juan Nepomunceno Maria de los Remedios Cipriano de la Santisima Trinidad Ruiz y Picasso. His parents gave him many names honoring saints and relatives. His mother claimed Pablo’s first words were “pencil, pencil” (in Spanish, of course). His father was a fine arts teacher at several schools, but legend has it that when he caught his 13-year-old-son finishing one of his paintings, he never painted again. Pablo was enrolled in a prestigious art academy, but soon quit because he didn’t like formal education. Instead, he moved to Paris to learn from the masters there. Picasso was the best-known figure in 20th century art and was more famous for his work during his lifetime than any other artist before him. He was a founder of a new art form called Cubism.
2
MUSIC APPRECIATION
| “O mio babbino caro” from Gianni Schicchi |
Puccini flirted briefly with faintly Wagnerian subjects in his early operas Le villi (1884) and Edgar (1889), though in these operas, the music owes much more to Verdi than to his Teutonic contemporary. Gianni Schicchi is a comparatively late work, comprising the third part of Puccini’s Il trittico (The Triptych), which premiered at the Metropolitan Opera in 1918. The libretto takes an episode from Dante’s Divine Comedy, the damnation of the will-forger Gianni Schicchi, as its starting point. His fraudulent will enriches his clan so that Lauretta, his daughter, can marry Rinuccio. In “O mio babbino caro,” one of Italian opera’s greatest tunes and a number that has become an archetype of late Romanticism’s final flowering in Puccini’s hands, Lauretta begs her father to go with her to buy a ring so she can marry, setting the whole forgery in motion. The tone of the aria is over-the-top in its voluptuousness, almost parodistic, which perfectly fits Lauretta’s melodramatic emotional state.
3
Giacomo Puccini (1858-1924) was an Italian composer, one of the greatest exponents of operatic realism, who virtually brought the history of Italian opera to an end. His mature operas included La Bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (left incomplete). 4
- Lange, Krista, and Leigh Lowe. First Grade Enrichment: Classical Core Curriculum. Teacher Guide. Memoria Press, 2017. ↩︎
- Ibid. ↩︎
- “‘O Mio Babbino Caro’ from Gianni Schicchi, Giacomo Puccini.” LA Phil, http://www.laphil.com/musicdb/pieces/56/o-mio-babbino-caro-from-gianni-schicchi. Accessed 15 Apr. 2025.
↩︎ - “Giuseppe Verdi.” Encyclopædia Britannica, Encyclopædia Britannica, inc., 19 Feb. 2025, http://www.britannica.com/biography/Giuseppe-Verdi.
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Providence School of Tifton 